“..by minding his own business and staying true to himself, he embodies what the current mood in fashion is so desperately trying to find. Honesty, Realness and Creativity.” Robin Schulie talks to Lutz for SSAW Magazine, Spring 2016 issue
Lutz on Instagram
like @tuomas_laitinen says : scandinavian #minimalism at its best 🔥 you’re in for a treat on Friday @aalto_fashion ✨✨✨ @juhavehmaanpera
Another image from the 1st Show : High Waists, Tights knitted with industrial Lycra worn with heavy draped Sweater and Overskirt, Pockets cut in the shape of gloves peak out from under a jacket’ ‘German-born Fashion Designer Lutz Huelle has stuck out on his own to make a clothes statement more than a fashion statement, and is becoming one of the most interesting new Designers today.. Lutz takes an artist’s approach, creating and developing clothes that are his own, based more predominantly on the language of clothes and their construction rather than on fashion’s image, style, and appearance..”
Nakako Hayashi on the Collection , in @purplefashionmagazine #purplefashion #nakakohayashi #lutzhuelle @nakakobooks ✨ thank you #olivierzahm and #eleinfleiss 💪🏼❤️
Another image from the first collection #fw2000, this time #alexandrabircken, again by #wolfgangtillmans
This is what @purplefashionmagazine said about the collection: ‘Lutz’s first collection outlines a new Amazonian silhouette using layers of fabrics,stretch, gathered and bunched wools, mixesof softand hard lines,neutrals and soft primary colours, exaggerated and tight fits, high waists and long sleeves, dress-shaped safari jackets and lab coats.’ #olivierzahm #eleinfleiss 🙏🏽❤️
LUTZ HUELLE F/W 2000 ‘The Debut’ This was my first Collection, back in February 2000. I had spent 6 months wondering what I should do , what Fashion meant for me, where it was heading.. I kept thinking that there was change in the air, that everything was going to be mixed up, that rules of how we were dressing would soon mean nothing anymore .. this is what I came up with: ‘Change the Silhouette. Pull up the Waist. Skinny Legs and Volume on Top. Mix neutrals and strong colours. Make in Knit what is normally made in Fabric . Put on top what is normally underneath. Make everything supersmall or superbig. Wear everything together. #Sexy and #NonSexy.’ This photo was taken by #wolfgangtillmans and these images still feel so emotional to me all these years later
Browse Collections 2000-2016 below
- Lutz’ Central St.Martin’s Degree Collection
- F/W 2000 ‘The Debut’
- S/S 2001 ‘The Boxeuse’
- F/W 2001 ‘A Tuxedo, some Sportswear, some Workwear and a Bunch of Flowers’
- S/S 2002 ‘The Suspenders’
- F/W 2002 ‘Flowerparka’
- S/S 2003 ‘Les Classicks’
- F/W 2003 ‘The Smiths at the Disco’
- S/S 2004 ‘Spiraling’
- F/W 2004 ‘Bomber Baroque’
- S/S 2005 ‘Sur-Real’
- F/W 2005 ‘Hand In Glove’
- S/S 2006 ‘The Purple Bassey Kraftwerk Show’
- F/W 2006
- S/S 2007
- F/W 2007
- S/S 2008 ‘Siouxsie & Vivaldi’
- F/W 2008 ‘Umbrellas’
- S/S 2009
- F/W 2009 ‘The Shadows’
- S/S 2010 The Storm
- F/W 2010 ‘Westworld’
- S/S 2011 ‘Soft Armour’
- F/W 2011 ‘Soft Armour 2’
- S/S 2012 ‘Watching Paint Dry’
- F/W 2012 ‘The Rain’
- S/S 2013
- F/W 2013
- S/S 2014 ‘The Getaway’
- F/W 2014
- S/S 2015
- F/W 2015
- S/S 2016
- F/W 2016
