Category: F/W 2000 ‘The Debut’
‘THE DEBUT’ Images from the 1st Show, in Fabrice Hybert’s Studio in Paris, February 2000: High Waists, Tights knitted with industrial Lycra worn with heavy draped Sweater and Overskirt, Pockets cut in the shape of gloves peak out from under a jacket.
‘Relecture toute personelle des archétypes de la garderobe la plus classique, totalement reconstruite, fendue, dézippé, sanglé,boutonnée, la prémière collection de ce créateur allemand a retenu l’attention par son originalité. Invention discrète d’une silhouette délibérément à l’écart d’un néoglamour ostentatoire’ Cédric Saint André Perrin on Lutz Huelle’s F/W 2000 Collection, LIBERATION
Purple Fashion (48) LUTZ No.1 by Giasco Bertoli ‘Lutz’s first collection outlines a new Amazonian silhouette using layers of fabrics,stretch, gathered and bunched wools, mixesof softand hard lines,neutrals and soft primary colours, exaggerated and tight fits, high waists and long sleeves, dress-shaped safari jackets and lab coats.’
No.1 ‘THE DEBUT’ Fittings for the first Show. Like a puzzle, I kept trying out different combinations to see what looked best. This would go on to inform all of my later work- the tweaking of the silhouette, pulling garments up and down the body to emphasize different parts, the mix of strong, elementary colours with neutrals, the draping of simple, everyday garments ( as opposed to elaborate eveningwear), the mix-and-match of knit and fabric, the surrealism and fetishism, the sporty influences, my obsession with the Trenchcoat and the Bomber, and the layering of different types and genres.
LUTZ HUELLE F/W 2000 ‘The Debut’ Watch a clip of the first Show here. ‘Change the Silhouette. Pull up the Waist. Skinny Legs and Volume on Top. Mix neutrals and strong colours. Make in Knit what is normally made in Fabric . Put on top what is normally underneath. Make everything supersmall or superbig. Wear everything together. Sexy and Non-Sexy.’
LUTZ HUELLE F/W 2000 in HANATSUBAKI
lutzhuelle.blog 