Spring Summer 2017 Backstage at the Yoyo Club at Palais de Tokyo . This was what was dubbed the ´Club Collection’ in the Press,for me it was just a glorious mix of everything I liked , shown in the subterranean confines of one of the best club spaces in Paris. The collection had more colour than ever, and it marked the debut of the Couture Influence, visible in the orange jacket on Suzi. Photos by Giasco Bertoli

“…What’s also happening now is that designers make clothes for people as opposed to making them for a fashion show, which has always been my main preoccupation anyway. Obviously, as these clothes are much closer to reality, it also changes the general aesthetic of fashion. I have never understood the idea of creating clothes for a fashion show and then selling something different afterwards. Saint Laurent and Chanel were such important designers because they dressed people above anything else, and that is what is happening again now.” Read Lutz Huelle in conversation with Pedro Canicoba in MANY OF THEM Magazine

“C’est drĂ´le comme parfois le cycle de la mode vous rattrape au vol. L’Allemand – ou plutĂ´t « l’EuropĂ©en » comme il dit - Lutz Huelle est restĂ© fidèle Ă  sa signature (appliquĂ©e sur le cĹ“ur ou dans le dos des vestes en jean) depuis ses dĂ©buts, en 2000. Peut-ĂŞtre parce que son univers, nourri de ses annĂ©es de jeunesse dans les nineties, rejoint l’air du temps, on regarde avec un Ĺ“il neuf ses silhouettes de robes en soie « twistĂ©e », ses blouses Ă  pressions qui tombent sur l’épaule, ses robes portefeuille en toile camouflage bordĂ©e de rose ou ses bombers qui muent en jupe longue de crĂŞpe. S’il Ă©paule façon aileron ses longues chemises de garçon sans manches et ses trenchs, l’allure possède cette fĂ©minitĂ© accessible et bienveillante. « J’ai le sentiment que, comme il y a vingt ans, tout est ouvert. Dans ce chaos qui nous entoure, tout est Ă  rĂ©inventer », dit cet incorrigible optimiste au sourire lumineux.” Helene Guillaume on LUTZ HUELLE SS17 in LE FIGARO