S/S 2019

“I have always regarded Lutz as a designer with creative integrity and this collection once again confirmed his place as a connoisseur’s designer.” Tony Glenville on LUTZ HUELLE S/S 2019 on DN Magazine

to read the whole article and see the photos please click here Lutz Huelle – Master Of His Trade – RTW SS19 LUTZ HUELLE READY TO WEAR SPRING 2019 COLLECTION – RTW SS19 At a time when many collections are simply “clothes”, designers like Lutz stand out for their mastery of the skills inherent in […]

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F/W 2018

‘…Lutz Huelle fut assistant de Martin Margiela. Si une filiation peut se lire dans quelques détournements, point de pâles copies ici. D’immenses manches gigot se greffent sur le buste de vestons formels. Des panneaux de brocart ou lamé sont incrustés sur les devants de bombers, de vestes de jeans ou de parkas imperméables, leur donnant une allure folle et originale. Des jupes et des robes bouillonnées confirment l’orientation plus haut de gamme du designer allemand basé à Paris… ‘ Frédéric Martin-Bernard on Lutz Huelle F/W18 in LE FIGARO

read the whole text and view the collection here http://madame.lefigaro.fr/defiles/lutz-huelle/automne-hiver-2018-2019/pret-a-porter-0/147586

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F/W 2016, S/S 2017

“…What’s also happening now is that designers make clothes for people as opposed to making them for a fashion show, which has always been my main preoccupation anyway. Obviously, as these clothes are much closer to reality, it also changes the general aesthetic of fashion. I have never understood the idea of creating clothes for a fashion show and then selling something different afterwards. Saint Laurent and Chanel were such important designers because they dressed people above anything else, and that is what is happening again now.” Read Lutz Huelle in conversation with Pedro Canicoba in MANY OF THEM Magazine

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S/S 2017

“C’est drôle comme parfois le cycle de la mode vous rattrape au vol. L’Allemand – ou plutôt « l’Européen » comme il dit - Lutz Huelle est resté fidèle à sa signature (appliquée sur le cœur ou dans le dos des vestes en jean) depuis ses débuts, en 2000. Peut-être parce que son univers, nourri de ses années de jeunesse dans les nineties, rejoint l’air du temps, on regarde avec un œil neuf ses silhouettes de robes en soie « twistée », ses blouses à pressions qui tombent sur l’épaule, ses robes portefeuille en toile camouflage bordée de rose ou ses bombers qui muent en jupe longue de crêpe. S’il épaule façon aileron ses longues chemises de garçon sans manches et ses trenchs, l’allure possède cette féminité accessible et bienveillante. « J’ai le sentiment que, comme il y a vingt ans, tout est ouvert. Dans ce chaos qui nous entoure, tout est à réinventer », dit cet incorrigible optimiste au sourire lumineux.” Helene Guillaume on LUTZ HUELLE SS17 in LE FIGARO

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F/W 2018

‚Plenty of designers these days have turned to patch-working garments together; what makes Lutz stand apart is that the results are not just for the look—they’re resolved into wearable garments with a French nonchalance about them. With his offering of gilded brocade narrow pants, you could imagine these clothes being the kind of thing you see young Parisian girls wearing in cafés and bars. As we know: They never overdress, but they always wear the right thing. Sarah Mower on LUTZ HUELLE F/W 18 on VOGUE RUNWAY

for the whole review and photos please click here Lutz Huelle Vogue Runway ‘Lutz Huelle had an emotional time looking around the Martin Margiela retrospective which opened at the Musée Galliera the other day. It reminded him most strongly of how his onetime boss “saw beauty in everything. Nothing was insignificant or without the potential […]

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