Lutz S/S 2016 gathered shirt in MAGAZINE, styled by Frédéric Chane

Lutz F/W 2016 Denim-Sequins Coat in HARPER’S BAZAAR, China, styled by Wang Hao, photographed by Yu Cong

Lutz S/S 2016 in POP Magazine, styled by Vanessa Reid, photographed by Harley Weir

‘…(Lutz’) rebellion came from his desire to create for the young woman in revolt, a free-spirited feminine soul that moves to her own fluctuating beat.’ Sheri Chiu on F/W 2016 in SCHÖN Magazine

read the full article with photos on http://schonmagazine.com/pfwaw16day4/    

Lutz S/S 2017 previewed 

..It was, in a month that has been saturated in both bomber jackets and camel coats, both on the runways and the streets outside them, extremely clever..” Alessandra Codinha on F/W 2016 on Vogue Runway

read the rest of the review and see the collection here Lutz Huelle, a line that guns for visual intrigue … More

Lutz’ Giant Sequins skirt S/S 2016 in Marie Claire UK

Lutz’ gathered shirt from S/S 2016 in Wallpaper Magazine, Styled by Jason Hughes, photographed by Willem Jaspert 

“…No es que nunca hayamos visto este tipo de recursos lúdicos en la moda, pero este diseñador alemán, afincado en París, lo hace con la elegancia de esos magos que hacen trucos con una simple baraja de cartas, sin demasiados artificios, ni pretensiones, pero que te dejan flipado. Pues eso.” NEO2 on F\W 2016

For the whole article and photos please click below http://www.neo2.es/blog/2016/03/lutz-huelle-fw16-17/ Lo que de primeras parece una simple chaleco vaquero, como … More

LUTZ HUELLE F/W 2016 ‘Adding volume to the body without oversizing it. Tripling the front panels of a tailored coat in camel and a red sleeveless trench in wool, causing its volume to overspill. Denim jackets go from simple breasted to “triple breasted”, by adding length they become asymmetrical, sweeping coats. The same was done to my beloved bombers: adding contrasting panels and finishings in double wool, they turn into a new sort of trench coat, combining the strength and attitude of the former with the sophistication of the latter. Denim is also combined with fluid crepe or gold sequins for dresses that go from early morning listening to late night dancing in the flicker of an eye. The same sequins, worn as oversized earrings add sparkle to even the simplest of looks. Pleated dresses are finished with jersey, adding the ease of sportswear to evening. Finally, a group of zipped overskirts in light wool, pinstripe and denim act as oversized belts, cinching volume at the waist of dresses and shirts. The same skirts, cut in transparent plastic, protect dresses or pants in an eventual burst of rain, a sort of “dress-umbrella”. To cut a long story short – this collection became about everything I have always loved, a sort of concentrate of my favourite obsessions.’