Category: F/W 2019

Best of 2019! This year was a strange one- on the one hand it feels that it has never been as important to be forward-looking and modern, on the other it seems that people crave nothing more than security and familiarity in a world that is increasingly less so. Even though there are few things I like less than looking back and holding on to the past, both my collections in 2019 were inspired by a longing for security: The idea of wearing couture-inspired clothes while doing mundane things like travelling (FW19) and my hommage to Paris (SS20) were both born out of a feeling of being grateful for the reassuring things in life. The Lantern Shirt and the Cape-Bomber, the Denim-Trench and the T-Jacket in Checked Cotton Twill over a dotted skirt in transparent tulle were some of this years favourite looks and my personal favourites were the long Fan-Skirts in Jacquard worn with black or white Mohair Sweaters from F/W 19 and the Men’s shirt in white cotton worn under a transparent tulle skirt from the S/S 20 Collection. I’m looking forward to 2020, in spite of everything. It’s always darkest just before dawn. Happy Holidays to all!

‘En su nueva propuesta el color ha sido clave para llenar de alegría la pasarela. Las siluetas de volúmenes exagerados también han estado muy presentes en diseños sofisticados y elegantes. Todo apunta a que en la próxima temporada luciremos prendas oversize y de proporciones extravagantes.’ Indira Bellido on Lutz Huelle FW19 on EL MUNDO

Photo by Sonny Vandevelde for Pictures and the whole article please click here Lutz Huelle ha presentado en la Semana … More

‘It’s a clever thing Huelle is doing here. Glamour is the backdrop and buzzword of this new fashion moment. But the truth is that most of us have grown very comfortable in our stretchy yoga clothes. Merging the two attitudes has the potential to turn on a lot of women.’ Nicole Phelps on Lutz Huelle FW19 on VOGUE RUNWAY

for Photos and the whole article please click here Lutz Huelle was appointed creative director of Delpozo, the Madrid-based demi-couture … More

‘On the soundtrack, the Vivaldi violins kept getting chased off by the commanding voices of Beth Ditto and Courtney Love. Huelle has been laying the ground work for a deeper invasion of bourgeois territory; hopefully he can prolong the stay. His plans are to carry on with his namesake label even as he takes up the new mission at Delpozo. “It’s amazing, these are exciting times,” he said enthused.’ Mimosa Spencer on Lutz Huelle FW19 on WWD

Photo by Sonny Vandevelde for pictures and the whole article click here Out with the jeans — Lutz Huelle was … More

Lutz Huelle F/W 2019 ‘The Voyageuse’ Travelling like never before in my life got me thinking about ease and movement, even in pieces that we are not supposed to travel in. I have always loved the idea of wearing dramatic pieces to do boring things- going to the supermarket in a pink bubblecoat might make the experience so much more enjoyable, also, you never know who you might run into. Roomy capes in double wool or fluid wool crepe are like blankets that fall over the shoulders. Another cape in beige cotton gabardine or rainproof nylon is worn as a sleeveless raincoat, with a hoodie underneath cut in lurex jacquard to cover the arms. A pink ‘Lantern-Sleeve’ jacket is worn with a soft mohair jumper and permanently creased skirt that even after hours of sitting on a plane will look perfect- it cannot be creased anymore than it already is. A biker jacket and wool coat have oversized, draped hoods or collars to huddle in while sitting in drafty airport lobbys. Cotton shirts have folded, plunging necklines, with added waterfall diamanté necklaces and earrings they turn into an evening dress the time it takes to rush from a cab into the ballroom. A bubble raincoat in black nylon is both protective and comforting, cut in pink taffetas it tuns into a dramatic operacoat. Finally, long skirts in silver jacquard are paired with mohair sweaters and jewellery: perfect for both lounging on the sofa and hitting the town. Photos Show by Gio Staiano Header Photo by Kira Bunse