‚Plenty of designers these days have turned to patch-working garments together; what makes Lutz stand apart is that the results are not just for the look—they’re resolved into wearable garments with a French nonchalance about them. With his offering of gilded brocade narrow pants, you could imagine these clothes being the kind of thing you see young Parisian girls wearing in cafés and bars. As we know: They never overdress, but they always wear the right thing. Sarah Mower on LUTZ HUELLE F/W 18 on VOGUE RUNWAY

for the whole review and photos please click here Lutz Huelle Vogue Runway ‘Lutz Huelle had an emotional time looking … More

‘ ..this latest installment of his ongoing endeavor to transfer couture codes to streetwear struck the right tone. He’s not the only one chasing this ambition, but is clearly one of the more successful’ Mimosa Spencer on LUTZ HUELLE F/W 18 in WWD

to see the whole article please click below WWD Lutz Huelle FW18 Lutz Huelle took out his scissors again and … More

LUTZ HUELLE F/W 18 ´ How to change the silhouette of a garment without losing its original sense or use —a cinched waist in a denim jacket, a draped back in a cotton shirt, an elongated asymmetric hemline in a zipped jacket. I added panels of wool, lurex jaquard or metallic wadding at different points, pushing the volume to the front or back or simply changing the fall of a hemline. Last season’s rounded jackets have turned into shirts; and on skirts the volume has slid down just under the knee. Worn with a cinched waist bomber, they continue the idea of couture in a day- or sportswear context. The oversleeves are pushed even closer to the neckline, adding drama and poise to wardrobe staples like a woolen coat, a cotton popeline shirt or a tuxedo jacket. In the end, I wanted a collection with a sense of strength, positivity, and ease going into the future.

´..mais Lutz Huelle est le Surréaliste le plus rationnel de la Mode Contemporaine et, sans conteste, s’il en fallait un, le fils le plus spirituel de Martin, qui suit sa propre voie.’ Elisabeth Clauss on the Martin Margiela Rétrospective at Musée Galliera in Paris in MADAME FIGARO

Lutz’ Bomber in The Forumist, Photography by Alex Huanfa Cheng Styling by Yaya Moo Make up by Yoyo Hair by Yui Hirohata Photographer assistant: Zhang Bei Model: Angela at Silent Paris

to see the whole story click here http://theforumist.com/parklife/#jp-carousel-13680

“…Die schönsten Varianten gibt es derzeit aber bei dem deutschen Designer Lutz Huelle in Paris. Er schneidert aus weinroten Bomberjacken lange Mäntel, indem er sie ab der Stelle, wo sonst das Hüftbündchen ansetzt, mit signalroter Spitze verlängert, gleichzeitig verlegt er den Verschluss asymmetrisch zur Seite. Noch stärker abstrahiert: die hocheleganten Capes, die sozusagen minimale Couture-Versionen der Bomberjacke sind. Letztere bleibt auf den ersten Blick erkennbar, denn abgesehen davon, dass ein kurzes Cape aus Hightech-Polyester, wie er sonst in Sports- und Performance-Wear verwendet wird, quasi schon ganz von allein eine bomberähnliche Silhouette erzeugt (eben einen Ballon), lässt Huelle auf einer Seite vorne einen dicken Reißverschluss aufblitzen. Er hat hier keine Funktion mehr. Außer natürlich darauf hinzuweisen, um welche Jacke es eigentlich geht.” Jan Kedves in Süddeutsche Zeitung Magazin

to read the whole article click here http://www.sueddeutsche.de/stil/bomberjacke-hart-drauf-1.3811061!amp

Lutz’ Bombercoat in TEEN VOGUE, Photo Angelo Pennetta Makeup by Nami Yoshida­ Fashion by Emilie Kareh Hair by Soichi Inagaki­

Lutz’ Over-Sleeve Trench in VOGUE Germany , Styling Christiane Arp, Nicola Knels and Julia von Boehm, photo by @studio_jackson

The Best Of 2017 ! This years’ most loved Looks ⚡️

‘The Sound Of Music’ The Business of Fashion’s Tim Blanks and Designer Lutz Huelle talk life, death and music in HONORE Magazine