Fall/Winter 2017 Backstage .. the debut of the Oversleeves, a big, voluminous sleeve set close to the neckline. Cut as a coat or Short Jacket , worn over denim or shirts, it took the couture influence started the preceding season to the max. There’s also the Denim coats with inserts in brightly dyed sheepskin , still some of my favourite pieces . Photos by Giasco Bertoli

Spring Summer 2017 Backstage at the Yoyo Club at Palais de Tokyo . This was what was dubbed the ´Club Collection’ in the Press,for me it was just a glorious mix of everything I liked , shown in the subterranean confines of one of the best club spaces in Paris. The collection had more colour than ever, and it marked the debut of the Couture Influence, visible in the orange jacket on Suzi. Photos by Giasco Bertoli

Lutz’s Rose Oversleeve Jacket in CARCY Magazine, Styling Mattias Karlsson , Photo Ola Rindal @olarindal @omattias @polina_oganicheva @lutz_huelle_paris @alexandrasandbergcasting @christinecorbel @tomohiroohashihair @intrepidlondon”

The Best of 2018 .. this year we did the ‘New Look’ Bomber and the ‘Starbomber’. We exaggerated the volume of sleeves of coats and shirts and cut them close to the neckline, calling them Oversleeves . There were Bellcoats and Waterfall Dresses, Denim and Lace and Lurex Jacquard. Prints of Roses, Dots and Crocodile. And there was a T-Shirt printed with ‘First and Last and Always’ intercut with pieces of Lace, our favourite piece of 2018.

“I have always regarded Lutz as a designer with creative integrity and this collection once again confirmed his place as a connoisseur’s designer.” Tony Glenville on LUTZ HUELLE S/S 2019 on DN Magazine

to read the whole article and see the photos please click here Lutz Huelle – Master Of His Trade – … More

Lutz Huelle in Conversation with Dennis Braatz in VOGUE Germany, Photos by Peter Rigaud

‘…Lutz Huelle fut assistant de Martin Margiela. Si une filiation peut se lire dans quelques détournements, point de pâles copies ici. D’immenses manches gigot se greffent sur le buste de vestons formels. Des panneaux de brocart ou lamé sont incrustés sur les devants de bombers, de vestes de jeans ou de parkas imperméables, leur donnant une allure folle et originale. Des jupes et des robes bouillonnées confirment l’orientation plus haut de gamme du designer allemand basé à Paris… ‘ Frédéric Martin-Bernard on Lutz Huelle F/W18 in LE FIGARO

read the whole text and view the collection here http://madame.lefigaro.fr/defiles/lutz-huelle/automne-hiver-2018-2019/pret-a-porter-0/147586

Watch the Lutz Huelle Show for FW18, backstage and more, in a short extract from Loic Prigent’s Documentary “52 minutes de Mode” on the Fall 2018 Shows in Paris

 

“…What’s also happening now is that designers make clothes for people as opposed to making them for a fashion show, which has always been my main preoccupation anyway. Obviously, as these clothes are much closer to reality, it also changes the general aesthetic of fashion. I have never understood the idea of creating clothes for a fashion show and then selling something different afterwards. Saint Laurent and Chanel were such important designers because they dressed people above anything else, and that is what is happening again now.” Read Lutz Huelle in conversation with Pedro Canicoba in MANY OF THEM Magazine

“C’est drôle comme parfois le cycle de la mode vous rattrape au vol. L’Allemand – ou plutôt « l’Européen » comme il dit - Lutz Huelle est resté fidèle à sa signature (appliquée sur le cœur ou dans le dos des vestes en jean) depuis ses débuts, en 2000. Peut-être parce que son univers, nourri de ses années de jeunesse dans les nineties, rejoint l’air du temps, on regarde avec un œil neuf ses silhouettes de robes en soie « twistée », ses blouses à pressions qui tombent sur l’épaule, ses robes portefeuille en toile camouflage bordée de rose ou ses bombers qui muent en jupe longue de crêpe. S’il épaule façon aileron ses longues chemises de garçon sans manches et ses trenchs, l’allure possède cette féminité accessible et bienveillante. « J’ai le sentiment que, comme il y a vingt ans, tout est ouvert. Dans ce chaos qui nous entoure, tout est à réinventer », dit cet incorrigible optimiste au sourire lumineux.” Helene Guillaume on LUTZ HUELLE SS17 in LE FIGARO