“On my last day I saw two wonderful shows, Lutz Huelle and Sacai. Huelle, who worked closely with Martin Margiela, has been quietly designing truly excellent fashion for years without much recognition from the fashion system. His experience shows in expertly combined garments that are chic, fashion-forward, and eminently wearable all at once. This collection was everything I miss about the ‘90s but updated for today; nonchalance, sophisticated sexiness, confidence, and — gasp — fun! Fun is the word fashion has forgotten. Fashion was fun in the ‘80s and the ‘90s. Now it is serious business in which everything is airtight to the point of suffocation. Huelle’s show, where the soundtrack went from Patti Smith to Italo disco, was a reminder that it doesn’t have to be this way.” Eugene Rabkin on LUTZ HUELLE SS24 on STYLE ZEITGEIST

“…a masterful deconstruction and reimagining of classic wardrobe staples, blurring the lines between formal and casual, masculine and feminine.” Lutz Huelle S/S 2025 on RAIN MAGAZINE

click here to see the full article and images Lutz Huelle Spring-Summer 2025: The Art of Sartorial Metamorphosis October 5, … More

‘The idea was to make a formal garment feel fresh and new. He did the same kind of iterative experimentation with the boxy tweed jacket—a most classic French garment—by splicing in upcycled denim at the front placket, shoulder seams, hem, and cuffs. It’s a high-low mash-up and a guaranteed best-seller on his e-commerce site, not just in tweed, but also in black sequins or black duchesse.’ Nicole Phelps on Lutz Huelle S/S 2024, VOGUE RUNWAY

read the whole review and see the collection here Lutz Huelle’s studio is down a cobbled Marais alley lush with … More

Lutz Huelle’s knitted Tailcoat in ENCENS Magazine, Styling: Samuel Drira, Photo: Francesco Brigida

‘Créateurs-Portraits de famille par Karl Lagerfeld’ MADAME FIGARO SPECIAL MODE #1123 Photos: Karl Lagerfeld, Redaction: Nicole Picard

‘Soft Armour’ Jacket F/W 2011

LUTZ HUELLE No.17 F/W 2008 ‘THE UMBRELLAS’ Inspired by the shape of an opened umbrella, jackets, trenchs and coats are cut adding volume to the sides. Different shades of brilliant red and yellow are draped together to create a swirling effect on dresses. Chunky knits are taken in and draped at the shoulder.

‘In Velocità’ Gaia Grossi on Lutz in ACTIVA Magazine: ‘Le Creazioni di Lutz sono fatto di linee apparentemente semplici che nascono da taglie e progettazioni all’avantguardia. In equilibrio tra classico e contemporaneo, casual e sofisticato.’

LUTZ HUELLE F/W 2001 on the Cover of HANATSUBAKI, Tokyo

‘Relecture toute personelle des archétypes de la garderobe la plus classique, totalement reconstruite, fendue, dézippé, sanglé,boutonnée, la prémière collection de ce créateur allemand a retenu l’attention par son originalité. Invention discrète d’une silhouette délibérément à l’écart d’un néoglamour ostentatoire’ Cédric Saint André Perrin on Lutz Huelle’s F/W 2000 Collection, LIBERATION