Tag: Lutz Designer
LUTZ HUELLE F/W 2016 ‘Adding volume to the body without oversizing it. Tripling the front panels of a tailored coat in camel and a red sleeveless trench in wool, causing its volume to overspill. Denim jackets go from simple breasted to “triple breasted”, by adding length they become asymmetrical, sweeping coats. The same was done to my beloved bombers: adding contrasting panels and finishings in double wool, they turn into a new sort of trench coat, combining the strength and attitude of the former with the sophistication of the latter. Denim is also combined with fluid crepe or gold sequins for dresses that go from early morning listening to late night dancing in the flicker of an eye. The same sequins, worn as oversized earrings add sparkle to even the simplest of looks. Pleated dresses are finished with jersey, adding the ease of sportswear to evening. Finally, a group of zipped overskirts in light wool, pinstripe and denim act as oversized belts, cinching volume at the waist of dresses and shirts. The same skirts, cut in transparent plastic, protect dresses or pants in an eventual burst of rain, a sort of “dress-umbrella”. To cut a long story short – this collection became about everything I have always loved, a sort of concentrate of my favourite obsessions.’
“..upbeat and uplifting” Philippe Pourhashemi on Lutz F/W 2016 on Diane Pernet’s ASVOF
please click here for the entire post and photos on ASVOF Dear Shaded Viewers, Upbeat and uplifting, Lutz Huelle’s … More
“To hear Lutz Huelle speak about his clothes is to be on the receiving end of all sorts of mini revelations. To wit: “I like that something appears sexy because the person inside it decides it is going to be sexy.” The supporting evidence: a trench coat or gray jersey tunic that could be unzipped from the shoulder down the arm. Or else he’ll consider how a garment might exist in a fixed seductive state of sliding off the body; this he did by suspending the core of black parka from diamanté straps, flipping its raison d’être from outerwear to evening attire. Huelle operates from the premise that his designs need to end up being worn; otherwise, as he puts it, “What’s the point?” But his application of elasticized seaming to alter volumes, or the flapper fringing spilling forth from a boxy blazer also backed up his belief in “eccentric simplicity.” Amy Verner on S/S 2016 , Vogue Runway
http://www.vogue.com/fashion-shows/spring-2016-ready-to-wear/lutz-huelle To hear Lutz Huelle speak about his clothes is to be on the receiving end of all sorts of … More
Lutz Huelle’s knitted Tailcoat in ENCENS Magazine, Styling: Samuel Drira, Photo: Francesco Brigida
‘The Impact of flexibility by LUTZ Fall 2000: The tuxedo with the sport, the chic with the cheap, the workwear, the seasonless, the cut-out of fashion, the what you want when you want it, the sense of humour, the day and night pulled together’ Samuel Drira in ENCENS on LUTZ#1 Fall/Winter 2000
LUTZ HUELLE No.27 F/W 2013 ‘Egon Schiele” A Short Film By Giasco Bertoli
LUTZ HUELLE S/S 2013 ‘Gestures’ I was thinking of gestures, poise – how a simple tilt of the head, a flick of the shoulders, the way one leg advances to balance the body, hands in pockets, can transform the most mundane situation into one of grace and beauty . The staples of an everyday wardrobe, infused with a “couture like” spirit : lowering the neckline and raising the waist, turning embroidered crystals into graphic prints, elongating a baseball jacket with silk organza, and cutting a parka in fluid crocodile print georgette.
Lutz’ Draped Biker in SSAW Magazine, Photo:Harley Weir, Styling:Lotta Volkova
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