“Is Lutz Huelle Paris’s most underrated designer? Seeing him back on the runway after a four-year gap, the thought came to mind. The deconstructed vintage jeans Huelle rehabs into hybridized trousers were trending all over town this week. Designers must know a good idea when they see one. He makes the “real clothes” that everyone is talking about this season with not much in the way of resources but quite a lot in the way of creative aplomb, and he’s been doing so for years.” Nicole Phelps on LUTZ HUELLE F/W 2024 on VOGUE RUNWAY

Click HERE to read the entire article and see the collection Is Lutz Huelle Paris’s most underrated designer? Seeing him…

Every once in a while a collection feels like a new beginning, a step forward that is not just a continuation of what has been before but a manifestation of what is to come.. and this Collection, Fall/Winter 2017, holds a very special special place in my heart. The preceding two had been the most successful since our beginnings, and we were visible in a way we had never been before. This, in turn, made me feel like anything was possible, a sort of euphoric sense of inspiration that just seemed to propel me forward. In hindsight there were too many ideas, and not all of it was necessarily easy, but it was impossible to not let myself get caught up in the wave of excitement we all felt.

‘Arriving in Paris in the 90s, I experienced the city with fresh eyes, much like Alber. Of course, it’s easy to get swept up in mythic ideas of culture and beauty. And nowhere else is fashion taken so seriously. Yet whenever I observe how Parisian women dress style is signalled with insouciance. Nothing appears forced. In a similar way, I am always delighted when I see couture surfacing within everyday life. I like considering the incongruities and energy of this convergence that is unique to Paris- and how women everywhere can identify somewhere within the mix’ AZ Factory with LUTZ HUELLE Pre-Fall 2024

“Arriving to Paris in the ’90s, I experienced the city with fresh eyes, much like Alber. Of course, it’s easy…

Our first office was a studio in a courtyard in the 10th arrondissement in Paris. We just scrambled enough money together to pay the deposit and rent, and I moved all of my magazines and vintage clothes in there in order to be surrounded by work. We had a big long table that took over most of the space, with David on one side and me on the other. This was where we prepared our first show, and where I designed the next 5 Collections before we were able to move to a bigger space in Rue de Rivoli ( just below David Guetta’s studio , who used to drive me mad with the constant boom boom from upstairs while I was working on a sunday 🤣)

‘The idea was to make a formal garment feel fresh and new. He did the same kind of iterative experimentation with the boxy tweed jacket—a most classic French garment—by splicing in upcycled denim at the front placket, shoulder seams, hem, and cuffs. It’s a high-low mash-up and a guaranteed best-seller on his e-commerce site, not just in tweed, but also in black sequins or black duchesse.’ Nicole Phelps on Lutz Huelle S/S 2024, VOGUE RUNWAY

read the whole review and see the collection here Lutz Huelle’s studio is down a cobbled Marais alley lush with…

When I started making little films showing how to transform an old Tshirt into a new, sexy top on Instagram during lockdown I never expected the number of brilliant reactions and comments I got .. it became a way to keep on working, to share and communicate, to show that anything can be inspiring and we can make something out of not much at all, no special skills or means required. I did several ones, and here’s the last one , made for VOGUE Runway, organized by the very fabulous Steff Yotka.