â…What’s also happening now is that designers make clothes for people as opposed to making them for a fashion show, which has always been my main preoccupation anyway. Obviously, as these clothes are much closer to reality, it also changes the general aesthetic of fashion. I have never understood the idea of creating clothes for a fashion show and then selling something different afterwards. Saint Laurent and Chanel were such important designers because they dressed people above anything else, and that is what is happening again now.” Read Lutz Huelle in conversation with Pedro Canicoba in MANY OF THEM Magazine
/ S/S 2017
“Câest drĂŽle comme parfois le cycle de la mode vous rattrape au vol. LâAllemand – ou plutĂŽt «âlâEuropĂ©enâ» comme il ditâ- Lutz Huelle est restĂ© fidĂšle Ă sa signature (appliquĂ©e sur le cĆur ou dans le dos des vestes en jean) depuis ses dĂ©buts, en 2000. Peut-ĂȘtre parce que son univers, nourri de ses annĂ©es de jeunesse dans les nineties, rejoint lâair du temps, on regarde avec un Ćil neuf ses silhouettes de robes en soie «âtwistĂ©eâ», ses blouses Ă pressions qui tombent sur lâĂ©paule, ses robes portefeuille en toile camouflage bordĂ©e de rose ou ses bombers qui muent en jupe longue de crĂȘpe. Sâil Ă©paule façon aileron ses longues chemises de garçon sans manches et ses trenchs, lâallure possĂšde cette fĂ©minitĂ© accessible et bienveillante. «âJâai le sentiment que, comme il y a vingt ans, tout est ouvert. Dans ce chaos qui nous entoure, tout est Ă rĂ©inventerâ», dit cet incorrigible optimiste au sourire lumineux.” Helene Guillaume on LUTZ HUELLE SS17 in LE FIGARO
/ S/S 2017
“Câest drĂŽle comme parfois le cycle de la mode vous rattrape au vol. LâAllemand – ou plutĂŽt «âlâEuropĂ©enâ» comme il ditâ- Lutz Huelle est restĂ© fidĂšle Ă sa signature (appliquĂ©e sur le cĆur ou dans le dos des vestes en jean) depuis ses dĂ©buts, en 2000. Peut-ĂȘtre parce que son univers, nourri de ses annĂ©es de jeunesse dans les nineties, rejoint lâair du temps, on regarde avec un Ćil neuf ses silhouettes de robes en soie «âtwistĂ©eâ», ses blouses Ă pressions qui tombent sur lâĂ©paule, ses robes portefeuille en toile camouflage bordĂ©e de rose ou ses bombers qui muent en jupe longue de crĂȘpe. Sâil Ă©paule façon aileron ses longues chemises de garçon sans manches et ses trenchs, lâallure possĂšde cette fĂ©minitĂ© accessible et bienveillante. «âJâai le sentiment que, comme il y a vingt ans, tout est ouvert. Dans ce chaos qui nous entoure, tout est Ă rĂ©inventerâ», dit cet incorrigible optimiste au sourire lumineux.” Helene Guillaume on LUTZ HUELLE SS17 in LE FIGARO
/ F/W 2018
âPlenty of designers these days have turned to patch-working garments together; what makes Lutz stand apart is that the results are not just for the lookâtheyâre resolved into wearable garments with a French nonchalance about them. With his offering of gilded brocade narrow pants, you could imagine these clothes being the kind of thing you see young Parisian girls wearing in cafĂ©s and bars. As we know: They never overdress, but they always wear the right thing. Sarah Mower on LUTZ HUELLE F/W 18 on VOGUE RUNWAY
for the whole review and photos please click here Lutz Huelle Vogue Runway ‘Lutz Huelle had an emotional time looking around the Martin Margiela retrospective which opened at the MusĂ©e Galliera the other day. It reminded him most strongly of
/ F/W 2018
âPlenty of designers these days have turned to patch-working garments together; what makes Lutz stand apart is that the results are not just for the lookâtheyâre resolved into wearable garments with a French nonchalance about them. With his offering of gilded brocade narrow pants, you could imagine these clothes being the kind of thing you see young Parisian girls wearing in cafĂ©s and bars. As we know: They never overdress, but they always wear the right thing. Sarah Mower on LUTZ HUELLE F/W 18 on VOGUE RUNWAY
for the whole review and photos please click here Lutz Huelle Vogue Runway ‘Lutz Huelle had an emotional time looking around the Martin Margiela retrospective which opened at the MusĂ©e Galliera the other day. It reminded him most strongly of
/ F/W 2018
â ..this latest installment of his ongoing endeavor to transfer couture codes to streetwear struck the right tone. Heâs not the only one chasing this ambition, but is clearly one of the more successfulâ Mimosa Spencer on LUTZ HUELLE F/W 18 in WWD
to see the whole article please click below WWD Lutz Huelle FW18 Lutz Huelle took out his scissors again and this season tackled the coats, jean jackets and military-style bombers. âI thought, Iâm going to cut into patterns and see
/ F/W 2018
â ..this latest installment of his ongoing endeavor to transfer couture codes to streetwear struck the right tone. Heâs not the only one chasing this ambition, but is clearly one of the more successfulâ Mimosa Spencer on LUTZ HUELLE F/W 18 in WWD
to see the whole article please click below WWD Lutz Huelle FW18 Lutz Huelle took out his scissors again and this season tackled the coats, jean jackets and military-style bombers. âI thought, Iâm going to cut into patterns and see
/ F/W 2018
LUTZ HUELLE F/W 18 ÂŽ How to change the silhouette of a garment without losing its original sense or use âa cinched waist in a denim jacket, a draped back in a cotton shirt, an elongated asymmetric hemline in a zipped jacket. I added panels of wool, lurex jaquard or metallic wadding at different points, pushing the volume to the front or back or simply changing the fall of a hemline. Last seasonâs rounded jackets have turned into shirts; and on skirts the volume has slid down just under the knee. Worn with a cinched waist bomber, they continue the idea of couture in a day- or sportswear context. The oversleeves are pushed even closer to the neckline, adding drama and poise to wardrobe staples like a woolen coat, a cotton popeline shirt or a tuxedo jacket. In the end, I wanted a collection with a sense of strength, positivity, and ease going into the future.
/ F/W 2018
LUTZ HUELLE F/W 18 ÂŽ How to change the silhouette of a garment without losing its original sense or use âa cinched waist in a denim jacket, a draped back in a cotton shirt, an elongated asymmetric hemline in a zipped jacket. I added panels of wool, lurex jaquard or metallic wadding at different points, pushing the volume to the front or back or simply changing the fall of a hemline. Last seasonâs rounded jackets have turned into shirts; and on skirts the volume has slid down just under the knee. Worn with a cinched waist bomber, they continue the idea of couture in a day- or sportswear context. The oversleeves are pushed even closer to the neckline, adding drama and poise to wardrobe staples like a woolen coat, a cotton popeline shirt or a tuxedo jacket. In the end, I wanted a collection with a sense of strength, positivity, and ease going into the future.
/ S/S 2018
ÂŽ..mais Lutz Huelle est le SurrĂ©aliste le plus rationnel de la Mode Contemporaine et, sans conteste, sâil en fallait un, le fils le plus spirituel de Martin, qui suit sa propre voie.â Elisabeth Clauss on the Martin Margiela RĂ©trospective at MusĂ©e Galliera in Paris in MADAME FIGARO
/ S/S 2018
ÂŽ..mais Lutz Huelle est le SurrĂ©aliste le plus rationnel de la Mode Contemporaine et, sans conteste, sâil en fallait un, le fils le plus spirituel de Martin, qui suit sa propre voie.â Elisabeth Clauss on the Martin Margiela RĂ©trospective at MusĂ©e Galliera in Paris in MADAME FIGARO
/ F/W 2017
Lutzâ Bomber in The Forumist, Photography by Alex Huanfa Cheng Styling by Yaya Moo Make up by Yoyo Hair by Yui Hirohata Photographer assistant: Zhang Bei Model: Angela at Silent Paris
to see the whole story click here http://theforumist.com/parklife/#jp-carousel-13680
/ S/S 2018
â…Die schönsten Varianten gibt es derzeit aber bei dem deutschen Designer Lutz Huelle in Paris. Er schneidert aus weinroten Bomberjacken lange MĂ€ntel, indem er sie ab der Stelle, wo sonst das HĂŒftbĂŒndchen ansetzt, mit signalroter Spitze verlĂ€ngert, gleichzeitig verlegt er den Verschluss asymmetrisch zur Seite. Noch stĂ€rker abstrahiert: die hocheleganten Capes, die sozusagen minimale Couture-Versionen der Bomberjacke sind. Letztere bleibt auf den ersten Blick erkennbar, denn abgesehen davon, dass ein kurzes Cape aus Hightech-Polyester, wie er sonst in Sports- und Performance-Wear verwendet wird, quasi schon ganz von allein eine bomberĂ€hnliche Silhouette erzeugt (eben einen Ballon), lĂ€sst Huelle auf einer Seite vorne einen dicken ReiĂverschluss aufblitzen. Er hat hier keine Funktion mehr. AuĂer natĂŒrlich darauf hinzuweisen, um welche Jacke es eigentlich geht.â Jan Kedves in SĂŒddeutsche Zeitung Magazin
to read the whole article click here http://www.sueddeutsche.de/stil/bomberjacke-hart-drauf-1.3811061!amp
/ S/S 2018
â…Die schönsten Varianten gibt es derzeit aber bei dem deutschen Designer Lutz Huelle in Paris. Er schneidert aus weinroten Bomberjacken lange MĂ€ntel, indem er sie ab der Stelle, wo sonst das HĂŒftbĂŒndchen ansetzt, mit signalroter Spitze verlĂ€ngert, gleichzeitig verlegt er den Verschluss asymmetrisch zur Seite. Noch stĂ€rker abstrahiert: die hocheleganten Capes, die sozusagen minimale Couture-Versionen der Bomberjacke sind. Letztere bleibt auf den ersten Blick erkennbar, denn abgesehen davon, dass ein kurzes Cape aus Hightech-Polyester, wie er sonst in Sports- und Performance-Wear verwendet wird, quasi schon ganz von allein eine bomberĂ€hnliche Silhouette erzeugt (eben einen Ballon), lĂ€sst Huelle auf einer Seite vorne einen dicken ReiĂverschluss aufblitzen. Er hat hier keine Funktion mehr. AuĂer natĂŒrlich darauf hinzuweisen, um welche Jacke es eigentlich geht.â Jan Kedves in SĂŒddeutsche Zeitung Magazin
to read the whole article click here http://www.sueddeutsche.de/stil/bomberjacke-hart-drauf-1.3811061!amp
