‚Plenty of designers these days have turned to patch-working garments together; what makes Lutz stand apart is that the results are not just for the look—they’re resolved into wearable garments with a French nonchalance about them. With his offering of gilded brocade narrow pants, you could imagine these clothes being the kind of thing you see young Parisian girls wearing in cafés and bars. As we know: They never overdress, but they always wear the right thing. Sarah Mower on LUTZ HUELLE F/W 18 on VOGUE RUNWAY

for the whole review and photos please click here Lutz Huelle Vogue Runway ‘Lutz Huelle had an emotional time looking … More

LUTZ HUELLE F/W 18 ´ How to change the silhouette of a garment without losing its original sense or use —a cinched waist in a denim jacket, a draped back in a cotton shirt, an elongated asymmetric hemline in a zipped jacket. I added panels of wool, lurex jaquard or metallic wadding at different points, pushing the volume to the front or back or simply changing the fall of a hemline. Last season’s rounded jackets have turned into shirts; and on skirts the volume has slid down just under the knee. Worn with a cinched waist bomber, they continue the idea of couture in a day- or sportswear context. The oversleeves are pushed even closer to the neckline, adding drama and poise to wardrobe staples like a woolen coat, a cotton popeline shirt or a tuxedo jacket. In the end, I wanted a collection with a sense of strength, positivity, and ease going into the future.